Right: some of my illustrations for A Family Frying Pan,
with author Bryce Courtenay. Story set early 1900's, I gave the
images a faint feel of that time. Afterwards I did the still life
at a workshop with James Guppy, & then left that style ~
it changes quite often, depending on my subject/interest,
though I feel the same sensibility shows through.
Some food that looks great here & here, if I ate those on the
same day I'd have very vivid dreams.
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